Art Instruction Schools Review – Can You Draw This?
Some years back when I was teaching engineering at Iowa State University, I sent for that little test that can get you into the Art Instruction Schools. I passed the test but never heard from the School again which was just up I-35 north of me.
A couple of years ago, I took the test again. I passed again. Nothing happened. I looked on the Internet and called the school. The school sent me some information but gave me no way to sign up for the course. Then one day I got a call from a gentleman who lives in Tooele, Utah. He said that he was coming up to see me and to start drawing so that he could see what I could do. A week later he showed up in his beat-up old car, told me that he covered most of the western states, and asked if I could afford the course.
Getting those formalities out of the way, he looked at my drawings. I asked, “Do you think I can learn to draw.”
He looked at my landscape paintings on the walls of my home. Finally he said, “Yes, you can learn to draw.”
I wrote him a check for the three-year course even though he advised me to pay by the month, gave me a few hints on drawing, and took off to interview a teenager up the rode who he suspected would not be able to purchase the course.
I have now completed the course except for the final exam which I have not yet received. Here are my impressions:
1. The cost is very reasonable for what you receive, but it cost almost $3,000.00. However, you can pay by the month if that is a factor.
2. Each lesson comes in a separate book. You get one book at a time except the first time when you get the first two lessons. I found that I occasionally had to wait for a lesson to be returned a bit longer than I wanted to wait. However, almost all lessons have been returned within 30 days. There were some longer delays because of the artist being on maternity leave, including one of my mail instructors. The staff had quite a baby boom this spring. I asked to have lessons sent in advance so that I could finish the course within 18 months rather than three years. I got my final lessons in one big bunch. This is not a good idea-it is better to see your grade and criticism from the previous lesson before you start a new lesson- but I’m an old man with a pig’s aortic valve and time is precious to me.
3. Each lesson is very comprehensive. You will see examples from great artist, from other students, and from the Art Instruction Schools instructors. Each technique is clearly and expertly explained. There are exercises in each lesson that need to be completed. Finally you do your assignment and send it in for grading.
4. What amazed me was that every lesson you completed by submitting the final drawing or drawings was not only evaluated but also drawn by the grading instructor. This is very important because you are not criticized but shown how things should be done. The instructor draws your drawing and puts an overlay on top of your drawing with helpful comments on the overlay to help you master the subject at hand. In all cases, my work looked like crap along side that of the instructors.
5. I didn’t call into talk to an instructor until I was well into the course even though I was advised to do so in every lesson. That was a missed opportunity. When I did call in, I realized what a wealth of knowledge the Art Instruction Schools instructors have. I was never brushed off by an busy instructor. I was always given as much time as I needed and then some. The instructors are talented artist and great teachers.
6. I met only one student while I took the course. He is an American Indian that lives not too far from me on the Blackfoot Indian Reservation. He is a very talented artist and I couldn’t see why he was taking the course. He told me the one thing that he had learned from the course (he is behind me) was patience. I have to agree on that. Art takes time and you have to give your brain a break to do it right. The school always says not to rush your work. For me, that is tough. I bought an ink drawing from the young man. He wanted $20.00 and I offered him $10.00. He took it because he had a date that night. I guess I had just come from a yard sale and was still in the bartering mode. I have decided that I owe him that $10.00 because I enjoy the drawing very much. I’ll get it to him the next time I pass by that way.
7. My drawing does not compare with the instructors but I have been able to maintain a “B” average over the course. For that, I received a special certificate for each lesson segment noting that I had done above average work. I received only a couple of “C” grades and “A” grades.
8. The most interesting lessons to me were using color. I now just blend the three primary colors for my landscapes, seldom looking for a particular color in a tube. Learning to use ink washes and color was interesting to me. However, the emphasis on the course was drawing. If you can master drawing, you will be a much better painter, not only from the accuracy of the drawings but by seeing tones, light and shadow, and textures.
9. I learned as I went along that I had not mastered the earlier lessons as well as I should have. I was continually going back to see what I had done versus what the instructor had done versus what the lessons said to do. Like always, I was too much in a hurry. I’m goal driven. I pick up a lesson book and say, “I’ve got to get this baby in there.” That is the wrong approach. Take the three years.
10. Some of the many skills taught in the course are composition, design, lettering, etc. The company was started in 1914 to train artists for the United States Mint. When I was required to design a stamp and received the instructors version of my stamp, I could see that the school’s history is still evident. I was proud of my stamp and my wife liked it too, so did my artist daughter-in-law (who is very polite). But the instructors stamp using my design was stupendous.
The school has about 5000 students, so I have been told. They are selective as to who they enroll as students with being able to pay for the course a prime factor, but if you don’t have the ability to learn to draw in the mind of the gentleman in the old car, you will not be accepted.
Did I get out of the course what I wanted? What I wanted was to improve my landscapes. However, I have only done a few landscapes since I enrolled in the course. But I know that my landscapes will be much better after the course. There are no other courses available. If they did offer a specific course on landscape painting, I would take it.
There are famous graduates of the School. Charles Schultz of Snoopy fame was a graduate and also an instructor at the School. Why yes, there was a lesson on cartooning and I just loved it. You could see one of my cartoons but I am not allowed to tell you how to find it on the Internet. That would be self-aggrandizement.
The basic art course at Art Instruction Schools is a humdinger!
Fly Old Glory!
Network Marketing Lifestyles Magazine Review of Rita Davenport
When it comes to Network Marketing, Network Marketing Lifestyles Magazine is the industry insider. This is the magazine that is devoted to network marketing, individual success stories, marketing on the internet, motivational articles, legal issues in the business, and of course, industry news. Recently Network Marketing Lifestyles Magazine did an article about Rita Davenport.
Rita Davenport was born in Nashville Tennessee and now lives in Scottsdale, Arizona. She is an expert in time management and has been featured on over one hundred television and radio shows including Good Morning America. She has appeared along side Erma Bombeck, Zig Zigler, Phil Donahue and Art Buchwald and has been the author of several best selling books. She won the 2001 Spirit of Philanthropy Award and is often asked to consult at Fortune 500 companies.
Currently Rita Davenport is the president of Arbonne International and is considered by Network Marketing Lifestyles Magazine to be one of the “First Ladies of Network Marketing” She shares the title with Carol Fitzgerald of OneFamily.com, Terri Frey of FlashNet Communications, Marta C Kollman of Cell Tech Adi Song of Longevity Network and Diane Wakat PhD of Intelligent Nutrition Systems, Inc.
As the leading woman of the piece in Network Marketing Lifestyles Magazine, Rita Davenport is quoted as saying “I lead with my heart-which is not the best way to run a company. But I always sleep well.”
The piece in Network Marketing Lifestyle Magazine highlighted women who are in top positions of network marketing companies. Network Marketing is certainly a trade that does not discriminate against women. Two of the most recognized network marketing businesses are female-centric: Avon and Mary Kay and there is argument to be made that the familiar standby, Tupperware, was created to make the lives of housewives everywhere just a little bit easier.
Arbonne International, the company run by Rita Davenport is another beauty and skin care product-centric company. Arbonne sells skin care products, anti-aging products, baby products, aromatherapy products, and even weight loss and nutrition products.
The company is run like most network marketing companies are run-representatives sell the product, recruit other people to sell the product and earn a commission. The fact that the company is almost twenty years old speaks to how well it has been run and what it offers to people looking to start their own network marketing business.
Network Marketing Lifestyle Magazine is a must read for anybody who is thinking about starting a network marketing business of their own. It lets people know which companies have the best offers for those who are just starting out. It also has information on promising start ups and people who have had quite a bit of success at network marketing-an industry that has been much maligned in the past.
Network Marketing used to be frowned upon as a “get rich quick” scheme, but the people who work within its structure have proved that it is not a get rich quick scheme but hard work, and a legitimate trade-a fact that is illustrated by the presence of Network Marketing Lifestyle Magazine.
Which Art Auction Magazine Do You Like the Most?
Art lovers often further explore their passion with a subscription to an art auction magazine. Whether they’re reading about its impact on the Middle East in Art + Auction Magazine or browsing Lari Pittman’s portfolio on ArtNet, these people are effectively increasing their knowledge and becoming experts. After all, it’s a great way to find artwork for sale and build a winning investment collection.
Art & Antiques focuses on its crimes, travelers in search of international art, its book reviews, emerging artists and practical articles on its collecting. Collectors can find reviews on new artists and books here as well. It’s really easy to find an appraiser who would like to take a look at one’s collection by simply sending in a photo of the items in question.
The highlight of this particular magazine is the “Editor’s Pick” section, which gives the busy lover a quick glimpse of the essential articles. Some October articles include: Enter the surreal and whimsical world of Dutch designer Hella Jongerius, Demand for antique garden ornaments is on the rise among American collectors and WEB EXCLUSIVE: Private dealer Joan Mirviss opens a brick-and-mortar location in New York. Subscriptions cost $40/year for 12 print issues.
ArtNet online magazine lets people browse their catalog of works by modern contemporary artists, track the market and peruse the price database. One of the magazine’s highlights is the easy-to-use section to search for upcoming fine art auctions. Look up galleries, artists and events with one mouse click! Some October topics include: Hidden Depths In the Drawings of Domenico Zindato, The Frieze Art Fair In London, Why You Should Give a Crap About Chris Ofili’s New Paintings and Shirana Shahbazi’s New Work Reacts Against Images of Iran.
For $30/month, subscribers can perform 10 database searches (or $80 for a professional who plans to make 30 searches per month). While one can read many of the articles on the site for free, the subscription-based service allows collectors to research how much their artwork is worth and find the best deals on much-coveted pieces. Rare works can be viewed by artist and specific market changes can be monitored.
Art + Auction Magazine covers scandals, the international scene, wine, its performance, the latest collector’s items and artists, in addition to detailing the positive impact art has on businesses and the psyche. Recent articles include: IN THE STUDIO with Laurie Simmons, Ansel Adams, the Current Status of the Antiquities Scandal That Rocked the Getty Museum and Warring Over Warhols. The artist profiles, news exclusives and international marketplace features are generally very good in this high-class art auction magazine. Subscriptions aren’t cheap though — $80/year.
British art collector Charles Saatchi once said, “There are no rules about investment. Sharks can be good. Artist’s dung can be good. Oil on canvas can be good. There’s a squad of conservators out there to look after anything an artist decides is art.” Subscribers of an art auction magazine will get the inside scoop on the convoluted world of its appraisal and will also ensure that they get the best deals on contemporary and fine art for sale.